Light a product the way a photographer would: with softboxes, strip lights, beauty dishes and barn doors that behave like the real equipment, measured in real units.
Studio lights add controlled sources to your scene alongside the environment — a strip for a long edge highlight, a focused accent on a logo, a rim light to lift a dark product off a dark background.
Point, spot, area and sun lights, with square, rectangular, disc and ellipse areas. Photographic fixtures include softbox, octabox, strip-box, beauty dish, umbrella, shoot-through, panel, tube, ring, lantern and PAR, with grids, diffusion layers and an optional visible housing.
Fixtures emit from glowing geometry, so barn doors genuinely block light and a visible housing casts real shadows. Barn doors can move together, in horizontal and vertical pairs, or individually, with adjustable flap length.
Set colour directly or in kelvin, add a gel, or load an IES profile to reproduce a manufacturer’s beam pattern. Decide whether each light is visible to the camera and in reflections.
Work in the unit that suits your reference: watts, lumens, lux at a distance, candela or exposure value. Switching units converts the number without changing the light, and an illuminance readout shows what reaches the subject. Normalize keeps total power constant while you change a light’s size, so making a softbox bigger softens it rather than brightening it.
Position, aim and rotate each light, or give it a target part and let it re-aim whenever the light or the product moves. A viewport overlay on the selected light puts power, colour and size where you are looking.
Place two tall strip-boxes behind and to either side for rim highlights that trace the silhouette, a large octabox overhead for a soft top reflection, and a gridded spot with barn doors to pick out the embossed logo without spilling onto the body. Hide the fixtures from the camera but keep them in reflections.
