Exposure
Brighten or darken the whole image in photographic stops, so a dark finish reads clearly or a white product doesn't clip.
Give every render a deliberate colour treatment, from clean and neutral for a catalogue to warm and atmospheric for a lifestyle hero, without leaving VIZid Next.
The Colour Grading panel works on the rendered image. You can adjust the mood of a shot without touching the materials or lights you have already approved.
Brighten or darken the whole image in photographic stops, so a dark finish reads clearly or a white product doesn't clip.
Temperature and Tint warm, cool or neutralise the image, for example to take a colour cast out of a white plastic housing.
Three colour wheels set the shadows, mid-tones and highlights separately. Use the level fields for brightness and the numeric section for exact per-channel values.
Contrast pivots around middle grey, so mid-tones stay put. Saturation runs from full monochrome to strongly boosted colour.
Choose how scene light maps to the screen, with options such as Standard, Filmic, AgX and Khronos PBR Neutral. You can target sRGB or Display P3 screens; the options available depend on the display.
Decide whether the grade comes before or after image effects such as bloom and grain. Switch grading off at any time to compare against the ungraded render.
For the online store, the kettle's white body has to look white. A small Tint correction removes the green cast from the environment, and Gain lifts the highlights without blowing out the handle. For the lifestyle image, the designer warms the Temperature, pulls Lift slightly towards blue for cooler shadows, and eases Saturation back so the accent colour stays restrained.
The grade is saved with the document, so reopening the file brings back the same treatment.
Add bloom, vignette, lens, grain and sharpening alongside the grade. Explore image effects
Find other ways to set the overall look of a presentation. Explore presentation looks